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	Comments on: 1. The Beginning	</title>
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	<link>https://www.scienceofacting.me/how-it-started/</link>
	<description>If your acting training often leaves you confused, you’re not alone. Start here — with clarity, not mystique.</description>
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		By: admin		</title>
		<link>https://www.scienceofacting.me/how-it-started/#comment-6</link>

		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 21:04:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.philipbulcock.com/?p=75#comment-6</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.scienceofacting.me/how-it-started/#comment-3&quot;&gt;Alberto D. Harris&lt;/a&gt;.

Hi Alberto, thank you for your comment. 

That&#039;s the most fascinating thing about acting... you&#039;ve rehearsed and therefore know how the character needs to be and when...then in performance you have to make it spontaneous because that is how we live. In other words and as you quite rightly allude to, an actor has to make the known and predictable, unknown and unpredictable and to do that, while remaining in the context of the story and the character&#039;s thinking, takes a good deal of dedicated work, knowledge, design and skill. It doesn&#039;t just happen by chance and it isn&#039;t the result of a mystical, god-given talent.

Philip]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.scienceofacting.me/how-it-started/#comment-3">Alberto D. Harris</a>.</p>
<p>Hi Alberto, thank you for your comment. </p>
<p>That&#8217;s the most fascinating thing about acting&#8230; you&#8217;ve rehearsed and therefore know how the character needs to be and when&#8230;then in performance you have to make it spontaneous because that is how we live. In other words and as you quite rightly allude to, an actor has to make the known and predictable, unknown and unpredictable and to do that, while remaining in the context of the story and the character&#8217;s thinking, takes a good deal of dedicated work, knowledge, design and skill. It doesn&#8217;t just happen by chance and it isn&#8217;t the result of a mystical, god-given talent.</p>
<p>Philip</p>
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		<title>
		By: admin		</title>
		<link>https://www.scienceofacting.me/how-it-started/#comment-5</link>

		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 15:04:52 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.scienceofacting.me/how-it-started/#comment-4&quot;&gt;dre&lt;/a&gt;.

Thank you dre for your comment and taking the time to do so. There are a lot of people think the way you do during and after the drama school experience and even on into the profession. 

Professionalism is a good thing but only when it goes hand in hand with knowledge of your profession and the development of professional skill. In acting, buzzwords like; professionalism, believability, star-quality and charisma, sometimes paper-over a profound lack of understanding of what acting actually is and should be. If you start digging and asking questions colleagues can treat you like some kind of philistine who seems to have missed the mystic, multi-interpretable nuances (in other words confusion) that the acting profession desperately embraces. 

Keep checking in here, my videos and upcoming podcasts and I&#039;ll do my best to give you answers.

Philip]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.scienceofacting.me/how-it-started/#comment-4">dre</a>.</p>
<p>Thank you dre for your comment and taking the time to do so. There are a lot of people think the way you do during and after the drama school experience and even on into the profession. </p>
<p>Professionalism is a good thing but only when it goes hand in hand with knowledge of your profession and the development of professional skill. In acting, buzzwords like; professionalism, believability, star-quality and charisma, sometimes paper-over a profound lack of understanding of what acting actually is and should be. If you start digging and asking questions colleagues can treat you like some kind of philistine who seems to have missed the mystic, multi-interpretable nuances (in other words confusion) that the acting profession desperately embraces. </p>
<p>Keep checking in here, my videos and upcoming podcasts and I&#8217;ll do my best to give you answers.</p>
<p>Philip</p>
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		<item>
		<title>
		By: dre		</title>
		<link>https://www.scienceofacting.me/how-it-started/#comment-4</link>

		<dc:creator><![CDATA[dre]]></dc:creator>
		<pubDate>Fri, 08 Dec 2023 17:06:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.philipbulcock.com/?p=75#comment-4</guid>

					<description><![CDATA[Just finished watching your video what is the Science of Acting, and felt like I finally understood why I felt misunderstood in acting school. I wanted and still desire that intense focus but felt that the emphasis was on “professionalism” (based on personal opinions and experiences) and not cultivating a personal technique but a regurgitation of what I called “myths and legends” (idol/gods). 

But this explained the feeling I had as well when I spilled water on my head in a comedy and did not break. Instead leaned in and have been trying to figure out how to be in relationship with that as society tells us to be “professional “ and learn from the “greats” deemed greats based on societies needs and standards of beauty.

I desire to be in the pocket a balance between the audience at large I think is important but what I have not learned and resonate with is how to be in relationship with self in order to have the precise focus you just spoke of. 

Thank you for sharing and please continue to do so.]]></description>
			<content:encoded><![CDATA[<p>Just finished watching your video what is the Science of Acting, and felt like I finally understood why I felt misunderstood in acting school. I wanted and still desire that intense focus but felt that the emphasis was on “professionalism” (based on personal opinions and experiences) and not cultivating a personal technique but a regurgitation of what I called “myths and legends” (idol/gods). </p>
<p>But this explained the feeling I had as well when I spilled water on my head in a comedy and did not break. Instead leaned in and have been trying to figure out how to be in relationship with that as society tells us to be “professional “ and learn from the “greats” deemed greats based on societies needs and standards of beauty.</p>
<p>I desire to be in the pocket a balance between the audience at large I think is important but what I have not learned and resonate with is how to be in relationship with self in order to have the precise focus you just spoke of. </p>
<p>Thank you for sharing and please continue to do so.</p>
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		<title>
		By: Alberto D. Harris		</title>
		<link>https://www.scienceofacting.me/how-it-started/#comment-3</link>

		<dc:creator><![CDATA[Alberto D. Harris]]></dc:creator>
		<pubDate>Mon, 04 Dec 2023 06:50:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.philipbulcock.com/?p=75#comment-3</guid>

					<description><![CDATA[What a stuff of un-ambiguity and preserveness of valuable knowledge on the topic of unpredicted feelings.]]></description>
			<content:encoded><![CDATA[<p>What a stuff of un-ambiguity and preserveness of valuable knowledge on the topic of unpredicted feelings.</p>
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